Sakari Oramo navigates from the familiar to the novel in Berlin

By Edward Sava-Segal, 06 June 2021

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Reviewed at Philharmonie: Großer Saal, Berlin on 5 June 2021

Chin, Piano Concerto

Sibelius, Symphony no. 2 in D major, Op.43

Berliner Philharmoniker

Sakari Oramo, Conductor

Sunwook Kim, Piano

Kirill Petrenko’s ideal Pulcinella at the Philharmonie Berlin

Elena Luporini, 7th May

In Berlin, Kirill Petrenko conducts Stravinsky, Tchaikovsky and Beethoven with the Berliner Philharmoniker and Gautier Capuçon: an ideal line-up.

****1

Petrenko and Serebrennikov forge a new Ring in Salzburg

Phillip Richter, 1st April

The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them.

****1

Kirill Petrenko and the Berliner Philharmoniker in Seoul

SangKwon Lee, 9th November

On their Asian tour, the Berliner Philharmoniker reaffirms its renown in a concert of Schumann and Brahms at the Seoul Arts Center.

*****

Pitch perfect: Petrenko conducts Dusapin, Zimmermann and Brahms

Elena Luporini, 17th September

At this year's Musikfest Berlin, Kirill Petrenko conducts his Berliner Philharmoniker in a devilishly intricate programme.

****1

A place to call our own: Marin Alsop in Berlin

Elena Luporini, 22nd February

For her debut at the head of the Berliner Philharmoniker, Marin Alsop reflects on what a ‘home’ is through works by Tarkiainen, Dean, Copland and Villa-Lobos.

****1

Robertson conducts the German premiere of Srnka's Superorganisms

Elena Luporini, 13th February

At the Philharmonie, David Robertson steps in for Kirill Petrenko for a concert all about the wonders of nature, featuring Varèse, Srnka and Beethoven.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Sakari Oramo navigates from the familiar to the novel with the Berlin Philharmonic