Venue: Edinburgh Festival Theatre

As Ballet Black continues with its 25th anniversary tour, Edinburgh savours a contrasting double bill, Hope Boykin’s ...all towards hope and Mthuthuzeli November’s Ingoma.

Scottish Ballet’s third outing of Christopher Hampson’s The Snow Queen sees some modifications to the story and it’s more spectacular than ever.

An evening focused on the separation of humanity from the natural world and the destruction of that world, either because of ignorance, greed or just not caring.

Resident choreographer Sophie Laplane, star dancer with the company for 13 years before spreading her choreographic wings, takes on Scotland’s most tragic and divisive historical figure

Rambert’s double bill, clearly a joyous experience for the many who leaped to their feet whooping, but perhaps a bit lightweight for anyone not quite so easily satisfied with novelty.

Ballet Black deliver a compelling and cleverly chosen double bill of new works with excellent lighting, ghoulish spectres and intoxicating dancing.

Scottish Ballet are tremendous in Helen Pickett's riveting production of Arthur Miller's The Crucible.

Spot-on dance-theatre not taking itself too seriously, daring to be genuinely funny.