Événements à venirEn voir plus...
EdimbourgStarstruck
compositeurs divers: Starstruck
Gene Kelly; Christopher Hampson; Scottish Ballet; Lez Brotherston; Lawrie McLennan
EdimbourgThe Marriage of Figaro
Mozart: Les Noces de Figaro (Le nozze di Figaro)
Dane Lam; Sir Thomas Allen; Scottish Opera; Simon Higlett; Mark Jonathan; The Orchestra of Scottish Opera
EdimbourgLes Ballets Trockadero de Monte Carlo
compositeurs divers: Mixed Programme
Les Ballets Trockadero de Monte Carlo
EdimbourgThe Galloping Cure
Mazzoli: The Galloping Cure
Stuart Stratford; Tom Morris; Opera Ventures Productions; Rebecca Ringst; Christina Cunningham; Lucy Carter; The Orchestra of Scottish Opera
EdimbourgIhsane
Youssef: Ihsane
Sidi Larbi Cherkaoui; Jasser Haj Youssef; Amine Amharech; Amine Bendriouich; Fabiana Piccioli
EdimbourgVerdi’s A Masked Ball
Verdi: Un bal masqué
Gianandrea Noseda; Adele Thomas; Zurich Opera; Hannah Clark; Franck Evin; Chœur de l’Opéra de Zurich
Critiques récentesEn voir plus...
Scottish Ballet’s The Snow Queen in Edinburgh
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Scottish Ballet’s third outing of Christopher Hampson’s The Snow Queen sees some modifications to the story and it’s more spectacular than ever.
Figures in Extinction: a thrilling evening with NDT 1
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An evening focused on the separation of humanity from the natural world and the destruction of that world, either because of ignorance, greed or just not caring.
Mary, Queen of Scots: Scottish Ballet at Edinburgh Festival
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Resident choreographer Sophie Laplane, star dancer with the company for 13 years before spreading her choreographic wings, takes on Scotland’s most tragic and divisive historical figure
Kismet: Rambert’s new double bill brings youthful joy to Edinburgh
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Rambert’s double bill, clearly a joyous experience for the many who leaped to their feet whooping, but perhaps a bit lightweight for anyone not quite so easily satisfied with novelty.
Ballet Black combines mystery and dark comedy with glorious dancing
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Ballet Black deliver a compelling and cleverly chosen double bill of new works with excellent lighting, ghoulish spectres and intoxicating dancing.
Scottish Ballet's The Crucible: never less than thrilling
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Scottish Ballet are tremendous in Helen Pickett's riveting production of Arthur Miller's The Crucible.
Cystal Pite and Jonathon Young's Assembly Hall: enjoyable madness!
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Spot-on dance-theatre not taking itself too seriously, daring to be genuinely funny.
Kirill Serebrennikov’s Marriage of Figaro challenges Edinburgh
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Komische Oper Berlin's The Marriage of Figaro is staged at the Edinburgh International Festival with a strong cast headed by Penny Sofroniadou and Peter Kellner.