Venue: Holland Park Theatre, London

Tchaikovsky stipulated that a staging of Eugene Onegin need not be lavish but should be kept in period. He would have been satisfied with the results here.

Cecilia Stinton’s new production of Lucia di Lammermoor doesn't necessarily make best use of OHP’s performance space, but the singers excel. 

Despite some excellent music-making, John Savournin's production is hindered by a laboured New York relocation. 

Simon Mayo’s Young Adult novels are turned into an operatic romp which explores the fascination of the elements with excellent music and setting, albeit riddled with plot lacunae.

Amid the rough winds of late May, Julia Burbach directs Opera Holland Park's first venture into Wagner – The Flying Dutchman. 

Some good singing performances can't overcome a dated feeling of Gilbert's humour: the evening improves as the storm clouds gather.

Joining OHP's 2019 production of Wolf-Ferrari's charming domestic comedy, a blazing new production of Pagliacci delivers everything that one could want from Leoncavallo's infamous opera. 

Is Puccini's second opera unloved and unlovable? Opera Holland Park makes a commendable attempt to revive Edgar, but struggles to overcome its many flaws.