Venue: Print Room Theatre at the Coronet, Kensington, London

Teshigawara is now 65 and it is beyond comprehension that a man can still move with such muscular control and feline fluidity well into his seventh decade.

Maliphant has achieved a unique movement style and a highly collaborative artistic direction, largely built upon instinctive cooperative understanding with long-term partners 

Mixed fare from Opera Erratica’s short trio, loosely based on Puccini’s Il trittico. 

Hubert Essakow’s IGNIS combines spoken word and contemporary dance in a fiery piece developed in collaboration with Sarah Kestelman. At The Print Room, London, until March 1st. 

Alain Robbe-Grillet’s 1957 novel La Jalousie, or Jealousy (though it could also be translated to mean ‘Venetian blinds’), has received a new translation into the media of art and dance at The Print Room in Notting Hill. The small-scale theatre and arts space is relatively new, set up in 2010. Since then it has promoted itself as a multi-disciplinary space.