Venue: Sadler's Wells London

Sidi Larbi Cherkaoui's Vlaemsch (chez moi) is an extraordinary piece of dance theatre proving the value of multiculturalism where difference can be absorbed within the search for artistic expression.

Christopher Marney has once again brought together a group of outstanding dancers, superb coaches and brilliant choreography to produce an evening of thoroughly absorbing dance.

Rambert’s Peaky Blinders: The Redemption of Thomas Shelby provokes the whole gamut of emotions, but leaves you feeling euphoric at the end.

Paul Roberts' Quadrophenia – A Mod Ballet offers very memorable performances from its leading protagonists in a compelling piece of dance theatre.

In The Midnight Bell, Sir Matthew Bourne has produced some of his best choreography, loose and free-flowing but tense with desire and mixed with dread.

Sadler’s Wells Flamenco Festival continues with Manuel Liñán’s Muerta de Amor, a show that screams much more of the power of love than its death. 

The enduring artistry of Sara Baras and her company opened the London Flamenco Festival with a stunning and memorable performance from the entire cast.

Ballet BC’s double bill puts Crystal Pite’s marvellous, shadowy Frontier in conversation with the folk-tinged comedy of Johan Inger’s Passing.