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Venue: Schillertheater, Berlin

Fact file
AddressBismarckstraße 110
10625 Berlin
Germany
ContainsFoyer
Großer Saal
Google maps52° 30' 42.177" N 13° 19' 4.971" E
December 2025
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05060708091011
Evening performance
Matinee performance
Upcoming eventsSee more...

BerlinRise and Fall of the City of Mahagonny

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Weill: Rise and Fall of the City of Mahagonny
Alexander Joel; Barrie Kosky; Komische Oper Berlin; Klaus Grünberg; Klaus Bruns; Orchester der Komischen Oper Berlin

BerlinCon­rad or The fac­to­ry-made boyNew production

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Penderbayne: Con­rad or The fac­to­ry-made boy
An­ne Hin­rich­sen; Ruth Brauer-Kvam; Komische Oper Berlin; Alfred Peter; Alfred Mayerhofer; Johannes Scherfling

BerlinSalomeNew production

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Strauss R.: Salome
James Gaffigan; Evgeny Titov; Komische Oper Berlin; Rufus Didwiszus; Esther Bialas; Sebastian Alphons

BerlinDon Gio­vanni / ­Re­qui­em

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Mozart
Sasha Yankevych; Kirill Serebrennikov; Komische Oper Berlin; Olga Pavlyuk; Tatyana Dolmatovskaya; Olaf Freese; Orchester der Komischen Oper Berlin

Berlin... und mit morgen könnt ihr mich!

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Weill
Kai Tietje; Barrie Kosky; Komische Oper Berlin; Klaus Grünberg; Victoria Behr; Orchester der Komischen Oper Berlin

BerlinIn Fris­co, all Hell's bro­ken outNew production

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Masanetz: In Fris­co, all Hell's bro­ken out
Kai Tietje; Martin G Berger; Komische Oper Berlin; Ursula Kudrna; Johannes Scherfling; Orchester der Komischen Oper Berlin; Chorsolisten der Komischen Oper Berlin

BerlinA Woman Who Knows What She Wants!

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Straus: Eine Frau, die weiss, was sie will (A woman who knows what she wants)
Adam Benzwi; Barrie Kosky; Komische Oper Berlin; Pavel B. Jiracek; Katrin Kath-Bösel; Diego Leetz; Orchester der Komischen Oper Berlin

BerlinLa Cage aux Folles

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Herman: La Cage aux Folles
Koen Schoots; Barrie Kosky; Komische Oper Berlin; Rufus Didwiszus; Klaus Bruns; Franck Evin; Orchester der Komischen Oper Berlin
Latest reviewsSee more...

Masks and obsessions: Evgeny Titov’s Salome at Komische Oper Berlin

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Salome is faceless and the Dance of the Seven Veils becomes a sardonic commentary on seduction in Komische Oper Berlin's austere new staging. 
****1
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Opulent minimalism: Kosky directs a new staging of Akhnaten

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Barrie Kosky's new production of Philip Glass' Akhnaten for Komische Oper at the Schillertheater removes any egyptological references. 
****1
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A blade too dull: Kosky directs Sweeney Todd at Komische Oper

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With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.
**111
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Kosky's Eine Frau, die weiß, was sie will at Komische Oper

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It takes two to tango... but what about vaudeville? A rerun of Barrie Kosky's production of Oscar Straus' Eine Frau, die weiß, was sie will owes most of its charm to the two leads.
***11
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Handelian labours: Kosky directs Hercules at Komische Oper Berlin

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Handel's seldom-performed Hercules becomes the latest oratorio to undergo the Kosky treatment at Komische Oper. 
****1
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Max Hopp falls short with Die Banditen at Komische Oper

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The last of Jacques Offenbach's great buffo operettas provides an opportunity for topical satire but Max Hopp’s attempts at updating it fall short of the mark.
**111
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Wim Wenders successful dive into opera

Internationally acclaimed film director Wim Wenders and Daniel Barenboim give their debut with a rarely played opera by Georges Bizet.
****1
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Cold discomfort: an uncompromising Kát'a Kabanová

Eva-Maria Westbroek proves an outstanding Káťa in the Staatsoper's revival of Janáček's opera, powerfully conducted by Simon Rattle. 
****1
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