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Venue: St John's Smith Square, London

February 2019
Evening performance
Matinee performance
Fact file
AddressSmith Square, London
United Kingdom
Google maps51° 29' 44.490" N 0° 7' 37.333" W
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LondonAndrzej Malitowski

Andrzej Malitowski, Organ

LondonClara Schumann 200th Anniversary Festival: The complete Songs

Schumann C.
Sophie Karthäuser; Alessandro Fisher; Eugene Asti

LondonClara Schumann 200th Anniversary Festival: The old Masters

Bach, Schumann C., Brahms
Mishka Rushdie Momen; Gamal Khamis

LondonClara Schumann 200th Anniversary Festival: Clara & Robert

Schumann, Schumann C., Chopin, Beethoven
Mhairi Lawson; James Newby; Eugene Asti; Mishka Rushdie Momen

LondonClara Schumann 200th Anniversary Festival: Clara & Brahms

Brahms, Schumann C.
Busch Trio; Mathieu van Bellen; Ori Epstein; Omri Epstein

LondonClara Schumann 200th Anniversary Festival: The Mendelssohn Connection

Brahms, Mendelssohn
Mhairi Lawson; Eugene Asti; Mishka Rushdie Momen; Gamal Khamis

LondonClara Schumann 200th Anniversary Festival: Clara & Joachim

Schumann C., Brahms
Stephan Loges; Eugene Asti; Mathieu van Bellen; Omri Epstein

LondonLondon Phoenix Orchestra

Beethoven, Barber, Mahler
London Phoenix Orchestra; Lev Parikian; Sarah Gabriel
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Brass ensemble Septura explores Ravel and Gershwin

Septura © Bethany Clarke
Why don’t brass ensembles have a regular presence in the classical concert scene, in comparison to string ensembles or at least woodwind ensembles? 
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Giulio Cesare in Londra with the marvellous EOC

Tim Mead © Benjamin Ealovega
Anna Devin's Cleopatra moved with complete conviction for scheming minx to mature woman in love.
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Ex Cathedra for Holy Week at St John’s Smith Square

Ex Cathedra © Paul Arthur
A Lenten programme of 17th-century French and Italian sacred music partially fulfilled its dramatic potential in refined, understated performances. 
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A polished London debut recital from George Li

George Li © Simon Fowler
The Chinese American pianist gives a confident, purposeful performance, without his personality quite shining through.
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Finely cast Orlando from La Nuova Musica

Lawrence Zazzo © Justin Hyer
Handel’s opera Orlando is famous for the great mad scene at the end of Act 2. Specifically written for the celebrated castrato Senesino, it’s an emotionally powerful ten-minute monologue.
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Anna Fedorova compelling in Chopin

Anna Fedorova © Marco Borggreve
Ukrainian pianist Anna Fedorova gave compelling performances of Chopin’s profound Ballades and intricate Waltzes, full of intensity, dreaminess and frenzy.
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Plumbing the depths of Tavener

Matthew Barley © Nick White
The City of London Sinfonia presents an absorbing account of Tavener's musical ecumenicism. 
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Bitterness and lamentation at SJSS

Alban Gerhardt © Kaupo Kikkas
James Ehnes, Steven Osborne and Alban Gerhardt captured the lamentations of Shostakovich's Second Piano Trio before they were joined by clarinettist Jean Johnson for Messiaen's quartet at St John’s Smith Square.
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