Venue: Smith Square Hall, London

It's not Christmas without Handel's Messiah, and in the delightful Smith Square Hall, the oratorio is given a staging by Wild Arts which may not completely convince, but moves nonetheless.

Arcangelo's dazzling creativity, superbly marshalled by the charismatic Jonathan Cohen, gives a gold medal performance of all six Brandenburg Concertos to launch the London Festival of Baroque Music.

A star-studded group of soloists and a wonderful choir make for an interesting, if not always convincing, interpretation of Bach's joyous oratorio. 

Whether surrounded by lanterns and weapons, or musicians and fellow congregation members, one is deeply involved in this work.

In the Baroque splendour of a church fondly-known as Queen Anne’s Footstool, the band entertains an appreciative audience to nine of the finest things they currently have on offer.

The Tallis Scholars return, better than ever, in this full-length streaming concert.

In an all-Beethoven celebration, the London Mozart Players offer a lively rendition of the Coriolan Overture and young Greek-born violinist, Jonian-Ilias Kadesha, performs the Beethoven Violin Concerto with earnest enthusiasm.

A lithe and engaging performance of Handel's festive regular from Polyphony and the Orchestra of the Age of Enlightenment.