Fact file
Address | Linke Wienzeile 6 1060 Vienna Austria |
Contains | Hölle |
Google maps | 48° 11' 57.852" N 16° 21' 51.316" E |
Upcoming eventsSee more...
ViennaDie FledermausNew production
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Strauss II: Die Fledermaus
Petr Popelka; Stefan Herheim; MusikTheater an der Wien; Esther Bialas; Franz Tscheck; Vienna Symphony Orchestra
ViennaAlice in WonderlandNew production

Chin: Alice in Wonderland
Stephan Zilias; Elisabeth Stöppler; MusikTheater an der Wien; Valentin Köhler; Su Sigmund; Elana Siberski; Vienna Radio Symphony Orchestra
ViennaPoro, re dell'IndieConcert performance

Handel: Poro, re dell'Indie
Martyna Pastuszka; MusikTheater an der Wien; [Oh!] Orkiestra Historyczna; Max Emanuel Cenčić; Julia Lezhneva; Lucile Richardot
Latest reviewsSee more...
Stefan Herheim’s bold Fledermaus at MusikTheater an der Wien
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Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.
Miroslav Srnka’s Voice Killer premieres at MusikTheater an der Wien
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At MusikTheater an der Wien, Miroslav Srnka’s new opera provess a deeply compelling, meticulously crafted work. It may not uplift, but it sears itself into the memory.
Fish, frocks and farce: a Prokofiev romp in Vienna
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Damiano Michieletto directs a slick and frequently hilarious staging of Prokofiev's comic opera Betrothal in a Monastery.
Grigorian and Akhmetshina dazzle in a secular Norma
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In a week where Vienna welcomes two new productions of Bellini's Norma, MusikTheater an der Wien sets a high bar with Vasily Barkhatov's staging.
Transcendent new Jenůfa debuts at Theater an der Wien
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Director Lotte De Beer's thoroughly realized, aesthetically rich and beautifully executed production of Janáček's masterpiece is anchored by strong performances from Nina Stemme and Svetlana Aksenova.
Pre-Baroque rarity for a grand season opening at Theater an der Wien
A superlative cast led by Annett Fritsch and Cyril Auvity dazzle in Emilio de’ Cavalieri’s “musical drama” in a brilliant production by Robert Carsen.
Excellent revival of Claus Guth's Saul at Theater an der Wien
“How Excellent.” The first words sung in Handel’s Saul are in praise of God and were first uttered in a performance nearly three centuries ago. But they apply equally to Claus Guth’s interpretation of the work staged by Theater an der Wien.
Don't divas always die? Zazà at Theater an der Wien
Leoncavallo's opera is a rare example of a tragic, verismo opera where not a soul dies... neither by natural causes nor foul play.