Work: Concerto no. 10 in E flat major for two pianos, K365 (K316a)

Dame Imogen Cooper’s valedictory concerto performance was affectionately received by a near capacity audience at The Glasshouse.

Like the grainy intensity of a high-contrast black-and-white photograph, these rugged edges accentuated Mahler’s expressive extremes, reaffirming the conductor’s innate flair for crafting a grand aesthetic narrative within the symphony’s expansive architecture.

All good things must come to end, but Manchester Camerata's Mozart piano concerto cycle did so in exceptional style in Stoller Hall.