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Work: Der fliegende Holländer (The Flying Dutchman): overture

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Fact file
ComposerWagner, Richard (1813-1883)
Work typeOrchestral
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Santa Cruz de TenerifeEn torno al mar

En torno al mar
Wagner, Britten, Respighi, Debussy
Orquesta Sinfónica de Tenerife; Antonio Méndez

LuganoGautier Capuçon and the Gewandhausorchester Leipzig

© Priska Ketterer | Lucerne Festival
Mahler, Schumann, Wagner, Mendelssohn
Leipzig Gewandhaus Orchestra; Andris Nelsons; Gautier Capuçon

ChicagoMuti conducts Brahms Double Concerto

Wagner, Brahms, Schumann
Chicago Symphony Orchestra; Riccardo Muti; Stephanie Jeong; Kenneth Olsen

SantanderOrchestre de la Suisse Romande

Beethoven, Wagner
Orchestre de la Suisse Romande; Jonathan Nott

LeipzigGewandhausorchester & Gautier Capuçon

Mahler, Schumann, Wagner, Mendelssohn
Leipzig Gewandhaus Orchestra; Andris Nelsons; Gautier Capuçon
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Pleasing rendition of Great Opera Choruses by RTE Philharmonic Choir

RTÉ Philharmonic Choir © RTÉ National Symphony Orchestra
Some rousing singing from the RTÉ Philharmonic Choir of the famous choruses from the great operas. 
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Matinee enchantment from Grosvenor, Sinaisky and the CBSO

Benjamin Grosvenor © Decca | Sophie Wright
This afternoon Vassily Sinaisky was in charge of the CBSO for a matinee performance which began with Wagner’s overture, ended with a Sibelius symphony and had siphoned between them an ever-popular piano concerto by Mozart.
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Prom 52: Gardner chisels out the bigger picture in Sibelius 2

Edward Gardner conducts the Bergen Philharmonic © BBC | Chris Christodoulou
A theatrical first half saw the world première of Rolf Wallin's violin concerto, Whirld, played by Alina Ibragimova.  
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Ghosts and musical magic from the Belgrade Philharmonic

Gabriel Feltz conducts the Belgrade Philharmonic © Marko Djokovic | Belgrade Philharmonic
The Belgrade Philhamonic presented a magical concert of music on supernatural themes.   
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Janowksi ascends Bruckner 7 and admires the view

Marek Janowski © Felix Broede
Long climbs often provide the best views. The Adagio second movement of Anton Bruckner’s Seventh Symphony bears the tempo marking Sehr feierlich und sehr langsam… and it is very solemn and very slow indeed.
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