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Work: Dido and Aeneas

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Fact file
ComposerPurcell, Henry (1659-1695)
PeriodBaroque
Year1689
Work typeOpera / Oratorio
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LondonPurcell: Dido and AeneasConcert performance

© No credit
Purcell: Dido and Aeneas
Christian Curnyn; Early Opera Company; Beth Taylor; Jonathan Brown; Anna Dennis; Hilary Summers

PragueDido and Aeneas

Prague National Theatre
Purcell: Dido and Aeneas
Michael Hofstetter; Alice Nellis; Prague National Theatre Opera; Matěj Cibulka; Kateřina Štefková; Ivo Dankovič; Prague National Theatre Orchestra

BudapestBest of Händel / Purcell: Dido & Aeneas

© No credit
Purcell: Dido and Aeneas
Augustin Szokos; Dóra Barta; Hungarian State Opera; Dániel Erdélyi; László Bartal; Ildikó Tihanyi; Andrea Kovács
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The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Karima El Demerdasch (Dido) © Paul Marc Mitchell
Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.
****1
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Dido and Aeneas in Prague: wide-eyed wonderment

Markéta Cukrová (Dido), Lukáš Bařák (Aeneas) © Serghei Gherciu
Alice Nellis' staging of Purcell's masterpiece is both historically faithful and innovatively modern. With Collegium 1704 providing the early music chops, it's a rare treat.
*****
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Stunning acrobatics, a forlorn farewell: Dido and Aeneas in Sydney

Anna Dowsley (Dido) © Keith Saunders
Yaron Lifschitz mesmerises from the opening tableaux’s row of candles in his Purcell staging for Opera Australia, featuring Circa, a Brisbane-based circus company. 
****1
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Nicky Spence in Welsh National Opera’s Peter Grimes © Dafydd Owen
From Henry Purcell to George Benjamin, a set of ten operas to demonstrate that English is not just a language for prose and poetry, but also a vibrant language for opera.