Our privacy policy was last updated on Friday 25 May 2018View it hereDismiss
Bachtrack logo

Work: Norma

Fact file
ComposerBellini, Vincenzo (1801-1835)
PeriodRomantic
Year1831
Work typeOpera / Oratorio
Upcoming eventsSee more...

MunichNorma

Norma
Bellini: Norma
Daniele Callegari; Jürgen Rose; Bavarian State Opera; Carmen Giannattasio; Angela Brower

ZürichNorma

Norma
Bellini: Norma
Fabio Luisi; Robert Wilson; Zurich Opera; Stephanie Engeln; Moidele Bickel; Michael Spyres; Maria Agresta

MunichNorma

Norma
Bellini: Norma
Andrea Battistoni; Jürgen Rose; Bavarian State Opera; Sonya Yoncheva; Angela Brower

NurembergNorma

Bellini: Norma
Bjorn Huestege; Stéphane Braunschweig; Staatstheater Nürnberg; Thibault Vancraenenbroeck; Johanne Saunier; Marion Hewlett

MannheimNorma

Bellini: Norma
Benjamin Reiners; Markus Bothe; Nationaltheater Mannheim; Matthew Toogood; Robert Schweer; Justina Klimczyk; Estelle Kruger
Latest reviewsSee more...

A convincing Norma in Reggio Calabria

Marily Santoro (Norma) © Antonio Sollazzo
Despite some minor flaws, a well appreciated performance of Bellini's masterpiece. 
***11
Read more

Maybe it’s make-believe: a curious Norma in Oslo

Hrachuhí Bassénz (Norma) © Erik Berg
The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.
**111
Read more

A mighty second cast for Met’s Norma revival

Jamie Barton (Adalgisa) and Angela Meade (Norma) © Ken Howard | Metropolitan Opera
The winter revival of the Met’s opening night Norma brought a new conductor and new stars in the main two female roles.
****1
Read more

The Met opens its season with a fine new Norma

Sondra Radvanovsky (Norma) © Ken Howard | Metropolitan Opera
Sondra Radvanovsky scores a rousing success in the taxing title role of Bellini's masterpiece in New York.
****1
Read more

Klepper’s Norma self destructs in Graz

Irina Churilova (Norma) © Werner Kmetitsch
Not only was the production devoid of Druids or Romans, it turned Bellini’s bel canto masterpiece into an implausible, trite, contemporary crypto-Che Guevara misadventure.  
***11
Read more