Work: Nun komm, der Heiden Heiland in A Minor, BWV599

The more you read about music, the more you notice the word “authenticity” cropping up annoyingly frequently. The great raging musical arguments of the late 20th century still burn; performers, listeners, even composers find themselves having to take up quasi-moralistic stances on gut strings, vibrato, and whether trills should begin on the upper or lower note.

Ell Grup Instrumental de València presentó un programa de marcado carácter narrativo en homenaje al compositor György Kurtág.