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Work: Piano Concerto no. 3, Sz 119

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Fact file
ComposerBartók, Béla (1881-1945)
Period20th century
Work typeOrchestral
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BelfastBavouzet Inspired by Bartók

Bavouzet Inspired by Bartók
Kodály, Bartók, Dvořák
Ulster Orchestra; Tito Muñoz; Jean-Efflam Bavouzet

New York CityNew York String Orchestra

Bach, Bartók, Brahms
New York String Orchestra; Jaime Laredo; Shannon Lee; Peter Serkin

PragueSuk, Bartók, Haas, Janáček

Suk, Bartók, Haas, Janáček
Czech Philharmonic; Jakub Hrůša; Piotr Anderszewski

BirminghamBartók and Bruckner

© Robert Workman
Bartók, Bruckner
City of Birmingham Symphony Orchestra; Mirga Gražinytė-Tyla; Piotr Anderszewski

ViennaCity of Birmingham Symphony Orchestra

Bartók, Bruckner
City of Birmingham Symphony Orchestra; Mirga Gražinytė-Tyla; Piotr Anderszewski
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La Belle Hélène: Grimaud wows in Bartók with Philadelphia Orchestra

Valerie Coleman with Yannick Nézet-Séguin © Jessica Griffin
The program also featured a compelling world premiere from composer Valerie Coleman and a stirring performance of Dvořák's “New World” Symphony.
*****
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Exploring late Bartók and Schubert in Cleveland

Franz Welser-Möst, Mitsuko Uchida and The Cleveland Orchestra © Roger Mastroianni for The Cleveland Orchestra
Franz Welser-Möst thoughtfully paired Schubert’s final mass with Bartók’s final piano concerto, the latter featuring Mitsuko Uchida in her 100th Cleveland Orchestra appearance.
****1
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Magic and mystery with Wong, Kozhukhin and the RLPO

Denis Kozhukhin © Marco Borggreve
RLPO debutante Kahchun Wong makes a distinctive first impression in a programme of iconic works from the 20th century.
****1
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Esa-Pekka Salonen leads an outstanding Transfigured Night in Chicago

Esa-Pekka Salonen © Benjamin Suomela
Dame Mitsuko Uchida again brought out her outstanding musicality and special charisma in Bartók’s Third Piano Concerto.
****1
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Symphonic grandeur and two curious farewells from Elder and LSO

Sir Mark Elder © Benjamin Ealovega
A stirring account of Elgar’s First Symphony from Sir Mark Elder and the LSO, with a rare outing given to Janáček’s last orchestral work and Francesco Piemontesi polished in Bartók.
****1
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