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Work: Piano Sonata no. 26 in E flat major "Les Adieux", Op.81a

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ComposerBeethoven, Ludwig van (1770-1827)
Work typeInstrumental
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AmsterdamBeethoven 2020: Ronald Brautigam plays the Piano Sonatas (part 2)

© Simon van Boxtel
Ronald Brautigam, Piano

LondonNelson Freire: Songs of Farewell

© Gregory Favre | Decca
Beethoven, Brahms, Debussy, Paderewski, Liszt
Nelson Freire, Piano

BarcelonaSir András Schiff: Bach and Beethoven

© Nicolas Broadard
Bach, Beethoven
Sir András Schiff, Piano

AmsterdamMaster Pianists Series: András Schiff

© Peter Fischli
Bach, Beethoven
Sir András Schiff, Piano

LondonIgor Levit

Igor Levit, Piano
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From Les Adieux to Miroirs: Jean-Efflam Bavouzet’s musical portrait

 Jean-Efflam Bavouzet impresses in Gallic repertoire, but his Beethoven took longer to win our reviewer around. 
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Murray Perahia at the Barbican in Haydn, Bach, Beethoven, Schubert and Chopin

Driving home after Murray Perahia’s stunning recital at the Barbican last night I found myself thinking: why is he such an extraordinary pianist? Some pianists have an incredible rhythmic sense, some technical wizardry, others a delicate musical sensibility, but rarely are all these and many others qualities combined in one artist. But this was how I was left feeling on that drive home.
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Freddy Kempf creates a sizzling spectacular for Bonfire Night in Holt

An altogether warmer experience on Bonfire Night was enjoyed at Holt’s Auden Theatre, for a performance by one of today’s most successful and busy concert pianists, Freddy Kempf.
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Jonathan Biss: Ludwig and Beethoven in Princeton

Thursday, composer David Ludwig joined Princeton audiences to hear Jonathan Biss perform his newly-penned Lunaire Variations in Richardson Auditorium. Ludwig’s piano cycle, though the shortest work on the program, became the centerpiece of Biss’ recital, which also featured works by Janáček and Beethoven.
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Love for the Piano: Freddy Kempf at St George’s Bristol

Love was definitely in the air at Freddy Kempf’s St. Valentine’s Day Concert. He gave a passion-filled performance of Beethoven’s Sonata in C minor, Op. 13, ‘Pathétique’ to open the night, which was fitting with the nature of the title. The true ‘Pathétique’ should have passionate expression that should be felt by the heart and transcend mere variations in tempo.
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