Work: Piano Sonata no. 4 in F sharp major, Op.30

Schubert and Scriabin are shaped by expansion and suspension in the Korean pianist’s Carnegie Hall recital. 

The Canadian pianist plays a Carnegie Hall programme exploring he expressive depths of Russian music, with Tchaikovsky's The Seasons as a frame. 

Had the piece been much longer, pianist, instrument, audience and hall would surely have been consumed by some Pentecostal fire. Which is more or less what the composer had in mind.