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Work: Singet dem Herrn ein neues Lied - motet, BWV225

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Fact file
ComposerBach, Johann Sebastian (1685-1750)
PeriodBaroque
Work typeVocal
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Eltville am RheinThomanerchor Leipzig | Thomasorganist Ullrich Böhme, Orgel | Thomaskantor Gotthold Schwarz, Leitung

© Thomanerchor
Bach, Brahms, Reger
Gotthold Schwarz; Thomanerchor (Leipzig); Ullrich Böhme

Hamburg4. Morgen Musik | Fensterlaibung: Bach

Bach
Hamburg Symphony Orchestra; Joshard Daus; Susanne Barner; Europa Chor Akademie Görlitz

LeipzigBach, Beethoven

Bach, Beethoven
Leipzig Gewandhaus Orchestra; Thomanerchor (Leipzig); Gotthold Schwarz

BeauneIntégrale des 6 Motets BWV 225-230 – Chapelle Harmonique, Tournet

Bach
Valentin Tournet; Chœur de La Chapelle Harmonique; La Chapelle Harmonique
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Autumnal vocal sparkle in Cambridge

Hubert Parry
An exciting new partnership between Owain Park and Cambridge Chorale got off to a good start with a first concert of Bach and Parry. 
***11
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Prom 42: Only Pärt perfection

Harry Christophers © BBC|Chris Christodoulou
The Sixteen, augmented by alumni of Genesis Sixteen, proved to be the perfect instrument for Pärt, but lacked personality in Bach.
***11
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St. John's Smith Square, Monteverdi Choir/English Baroque Soloists/ Gardiner/ Debretzeni

Bach, Biber, St. John's Smith Square. Clever juxtapositions, and they worked. The programmer of this concert - by the Monteverdi Choir and English Baroque Solists under Sir John Eliot Gardiner - had a neat thought, to place Bach's six Motets (BWV 225-230) into the former church in SW1. The building and the motets date from the same decade, the 1720's.

Dunedin Consort and Players

The Closing Concert of the Lammermuir Festival took place in the historic St. Mary's Parish Church, Haddington – the site of John Knox's ordination as a Catholic priest, some years before the volte face which saw him spearheading the Scottish Reformation. An all-Baroque programme was presented by the Dunedin Consort, animatedly directed from the keyboard by John Butt.

L’ensemble Pygmalion célèbre les Motets de Bach

Raphaël Pichon © Bertrand Pichène
Un concert émouvant que se conclude dans une rare allégresse, teintée de spiritualité et d’intensité.
****1
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