Work: Trio sonata in G Major, BWV530

A recital of two halves for the Moscow-born pianist in her long overdue Carnegie Hall debut. 

Compared to the venue for this concert, the eighteenth century Baroque music in the programme is relatively modern. Beverley Minster was built between the thirteenth and fifteenth centuries. Sitting in the ancient Quire where generations of musicians have sat before, listening to the Historically Informed Performance, the audience was transported into the world of the past.

Das Ensemble überbrachte in überwiegend glücksgefühliger Darbietung Gratulation und Freude zu vier Cembali sowie on top ein zumindest beim jubiläumsfeiernden SEMF online verheimlichtes Zusatzpresent.