The invention, clarity and freshness of the choreography is breathtaking throughout, made even more so by outstanding performance. This new Giselle is a masterpiece, taking English National Ballet to new heights.
Intricate hip-hop, sinuous African, lyrical ballet and glorious gospel held together with powerful contemporary technique: you are hit by huge waves of happiness and end the show smiling.
Clever and fascinating movement in a short piece made by creatively using the opportunities offered by the dancers’ disabilities. A perfect example of people being “differently able”, extending the possibilities and creativity of their dance.
Moments of intense beauty amid a bewlidering stream of ideas, impressions, clichés, quotations and emotions. Great performances. Band practice as a microcosm of the human condition.
In-Nocentes is wonderful. Michael Keegan-Dolan and his team have drawn from the gifts and commitment of these young dancers to create original, rich and extraordinary dance.
The Royal Ballet's Giselle is classical ballet at its best, paying deep reverence to the original with some of the heavier elements refreshed. Excellently performed by Sarah Lamb and Matthew Golding.
