Find articles | Kirsty Morgan

It is sad that Final Edition will be Richard Alston dance company's final tour, but it is a fantastic production to leave us with.

Matthew Bourne's Swan Lake was controversial twenty-three years ago. These days it seems pretty tame - but the swans aren't!

At Edinburgh’s Festival Theatre, Wayne McGregor explores what it means to have a life story in Autobiography for the Edinburgh International Festival.

Ballet Black delights the Glasgow Tramway with a contrasting double-bill of Shakespearian envy and whimsy.

A fantastic score, wonderful costumes, brilliant dancing and stunning choreography coalesce beautifully in David Nixon’s magical The Little Mermaid for Northern Ballet.

Scottish Ballet's The Nutcracker, at the Edinburgh Festival Theatre sweeps the audience away to a magical snowscape of childhood wonder and sugar confectionery.

Once again, Scottish Ballet produces another winner for the Edinburgh Festival Theatre with a double bill of ballets set to the emotive otherworldly harmonies of composer, Igor Stravinsky.

At the Edinburgh Playhouse, choreographer Anne Teresa De Keersmaeker and her dance company Rosas present Rain, set to the music of minimalist composer Steve Reich, for the Edinburgh International Festival.

For the Edinburgh International Festival, María Pagés Company offers a new perspective on the character of Carmen, from the Bizet opera, in their production Yo, Carmen at the Edinburgh Playhouse.

Scottish Ballet’s Each Other taps into the visceral impact from the image of worn, discarded shoes to create a poignant and compelling piece about the tensions between different groups.

Moscow City Ballet whisks Edinburgh into the dreamlike fairy tale of Tchaikovsky’s ballet Sleeping Beauty for a magical evening that enchants throughout, from Once Upon a Time to Happily Ever After.

Ballet West’s production of Swan Lake at the MacRobert Arts Centre in Stirling was shaky in places but, overall, a very enjoyable evening.

The centrepiece of Ballet Black’s Triple Bill at the Tramway in Glasgow is Storyville: set in New Orleans during the roaring twenties.

From whistles to buzzing bees, Scottish Ballet’s October double-bill of Siblio and Emergence delight the Theatre Royal in Glasgow.

Akram Khan brings classical Indian dance performance, Gnosis, to the King’s Theatre (Edinburgh International Festival)

For Fringe, Fleur Darkin brings Scottish Dance Theatre and the One Ensemble together in Miann. A powerful, intimate exploration of relationships, loss and grief.

Czech dance group Lenka Vagnerová & Company offer an insight into the mysterious world of birds with their production, Riders, at Zoo Southside venue for the Edinburgh Festival Fringe.

Matthew Bourne and New Adventures surpass all expectations in Lord of the Flies at the Eden Court Theatre, Inverness, and the results are magnificent.

MurleyDance examines the attachments we form with people, places and possessions in its spring tour Objects of My Affection at ACT Aberdeen, Scotland.

BalletLORENT bring their eerie adaptation of Rapunzel to His Majesty's Theatre in Aberdeen, with music by Murray Gold and script by Carol Ann Duffy.

Northern Ballet thrills the Edinburgh Festival Theatre with its performance of David Nixon’s Cinderella set in imperial Russia.

Once upon a time, Scottish Ballet put on a magical performance of Christopher Hampson’s Hansel & Gretel at His Majesty’s Theatre in Aberdeen. 

The Scottish Concert Orchestra and Russian State Ballet of Siberia keep the Christmas spirit alive with Music and Dance at the Ballet at the Glasgow Royal Concert Hall.

From the disturbing to the comical, the beautiful to the weird, David Hughes Dance brought four very different dances to the Lemon Tree theatre in Aberdeen last Saturday. Artistic director, David Hughes, has compiled works from four different choreographers which – as the title Something Old, Something New...

The company is called Heels Over Head and on Friday night I fell head over heels in love with their performance, Jacques Brel in Song and Dance. Using a combination of visuals, song, dance and theatre, four multi-talented girls celebrated the works of Belgian chansonnier Jacques Brel and brought early 20th-century continental Europe to the Cumbernauld Theatre in North Lanarkshire.

On Thursday night the Sofia National Ballet’s production of Don Quixote whisked its Glasgow audience away to a fantastic world of chivalry, young love, dreamlike dryads and eccentric knights-errant throwing lances at windmills.

The comedic Scots ditty “Donald Where’s Your Troosers?” is not your typical balletic overture, but then Matthew Bourne’s Highland Fling is not your typical Scottish Ballet production.