A bazaar performance underscores Istanbul’s Unusual Music Festival

By Jonathan Sutherland, 08 June 2017

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“there is a surprisingly calming effect in this mystical, magical music”

Reviewed at Grand Bazaar, Istanbul on 4 June 2017

Şimdi Ensemble

Michel Godard, Serpent

Savall conducts Beethoven and Haydn at the Elbphilharmonie

Mengguang Huang, 3rd April

Beethoven's Christus am Ölberge is paired with Haydn's Die sieben letzten Worte, a journey from agony to transcendence in which the agony proves the more honest companion.

***11

Portraits and pictures from Ibragimova, Gardner and the LPO

Roy Westbrook, 1st April

From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.

****1

Energy, precision and drama from the Philadelphia Orchestra

Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.

****1

Evgeny Kissin leaves a trail of happy hearts at the Barbican

Christopher Woodley, 31st March

With a spring in his step, Evgeny Kissin returns to Barbican Hall and gives well-wrought accounts of Beethoven, Chopin, Liszt and Schumann.

****1

Johnston’s Tavener the highlight for the Brighton Philharmonic

Nick Boston, 29th March

Warm Vaughan Williams and energetic Richter and Vivaldi from MacGregor and the BPO strings, with an astonishing performance of Tavener’s The Protecting Veil from Guy Johnston the highlight.

****1

The Fibonacci Quartet give a compelling concert in Sheffield

Phil Parker, 28th March

The Fibonacci Quartet has been accumulating prizes and headlines like they’re going out of fashion, and this Music in the Round concert showed why.

****1

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.