A bazaar performance underscores Istanbul’s Unusual Music Festival

By Jonathan Sutherland, 08 June 2017

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“there is a surprisingly calming effect in this mystical, magical music”

Reviewed at Grand Bazaar, Istanbul on 4 June 2017

Şimdi Ensemble

Michel Godard, Serpent

Lucas and Arthur Jussen: a virtuoso pairing at Prague Spring

Frank Kuznik, 17th May

Lucas and Arthur Jussen make more than a guest appearance in a dazzling performance with the Academy of St Martin in the Fields.

****1

Edward Gardner makes a distinctive debut at the Pittsburgh Symphony

Sam Jacobson, 17th May

Edward Gardner’s Pittsburgh Symphony debut brings freshness and intensity to Beethoven and Tchaikovsky, alongside a sparkling tribute to Michael Tilson Thomas.

****1

Ensemble 360 illuminates the gathering darkness in Sheffield

Phil Parker, 17th May

Nightfall in Sheffield General Cemetery provides the perfect atmospheric backdrop for Ensemble 360’s exploration of chamber music by Mozart, Weber and Korngold.

****1

Brighton Philharmonic play their socks off at the Brighton Festival

Nick Boston, 17th May

Joanna MacGregor and the BPO pull off an excellent performance of Shostakovich's Tenth, alongside William Kentridge's evocative film, Oh to Believe in Another World.

****1

Philadelphia Orchestra debuts Tyshawn Sorey's static Piano Concerto

Cameron Kelsall, 15th May

Yannick Nézet-Séguin leads the premiere of For Marilyn Crispell alongside the 1873 version of Bruckner's "Wagner Symphony", the Third.

***11

Elgarian emotion from the Benedetti, Karabits and the RSNO

Simon Thompson, 15th May

Nicola Benedetti’s Elgar is a slow burn in Edinburgh’s Usher Hall, but Kirill Karabits’ Firebird instantly ignites.

****1

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.