| Saturday 22 May 2027 | 18:00 |
| Tuesday 25 May 2027 | 18:00 |
| Thursday 27 May 2027 | 18:00 |
| Sunday 30 May 2027 | 11:00 |
| Tuesday 01 June 2027 | 18:00 |
| Thursday 03 June 2027 | 18:00 |
| Saturday 05 June 2027 | 18:00 |
| Boito, Arrigo (1842-1918) | Mefistofele |
| Hungarian State Opera | |
| János Kovács | Conductor |
| Balázs Kovalik | Director |
| Csaba Antal | Set Designer |
| Mari Benedek | Costume Designer |
| Hungarian State Opera Orchestra | |
| Hungarian State Opera Chorus | |
| Marianna Venekei | Choreography |
| Gaston Rivero | Tenor |
| Gábor Bretz | Bass |
| Orsolya Sáfár | Soprano |
| Barna Bartos | Tenor |
Arrigo Boito is one of the most unique figures in the history of music, not least of all because of his work as a poet: he is responsible for some of the finest librettos ever written for opera (including, for example, Otello). Smitten with Wagner and metaphysics, it's no surprise that he became enamoured with Goethe's Faust, in particularly with the figure of the devil. Mefistofele is his sole completed opera for which he also composed the music. Balázs Kovalik's thrilling production focuses on the mystery of the eternal duel between God against Satan, using powerful imagery to amplify Boito's own personalised poetic treatment of the subject. "The greatest mystery of all isn't the fact that one is thrust into the infinity of creation and the cosmos, but rather that in one in captivity there, we become aware of thoughts powerful enough to make us doubt that our lives are not simply fleeting moments of nothingness after all." (Béla Hamvas)
Reviews of Mefistofele directed by Balázs Kovalik

