| samedi 22 mai 2027 | 18:00 |
| mardi 25 mai 2027 | 18:00 |
| jeudi 27 mai 2027 | 18:00 |
| dimanche 30 mai 2027 | 11:00 |
| mardi 01 juin 2027 | 18:00 |
| jeudi 03 juin 2027 | 18:00 |
| samedi 05 juin 2027 | 18:00 |
| Boito, Arrigo (1842-1918) | Mefistofele |
| Opéra d'État hongrois | |
| János Kovács | Direction |
| Balázs Kovalik | Mise en scène |
| Csaba Antal | Décors |
| Mari Benedek | Costumes |
| Orchestre de l'Opéra d'État hongrois | |
| Chœurs de l'Opéra d'État hongrois | |
| Marianna Venekei | Chorégraphie |
| Gaston Rivero | Ténor |
| Gábor Bretz | Basse |
| Orsolya Sáfár | Soprano |
| Barna Bartos | Ténor |
Arrigo Boito is one of the most unique figures in the history of music, not least of all because of his work as a poet: he is responsible for some of the finest librettos ever written for opera (including, for example, Otello). Smitten with Wagner and metaphysics, it's no surprise that he became enamoured with Goethe's Faust, in particularly with the figure of the devil. Mefistofele is his sole completed opera for which he also composed the music. Balázs Kovalik's thrilling production focuses on the mystery of the eternal duel between God against Satan, using powerful imagery to amplify Boito's own personalised poetic treatment of the subject. "The greatest mystery of all isn't the fact that one is thrust into the infinity of creation and the cosmos, but rather that in one in captivity there, we become aware of thoughts powerful enough to make us doubt that our lives are not simply fleeting moments of nothingness after all." (Béla Hamvas)
Mefistofele par Balázs Kovalik, nos comptes-rendus

