| Friday 16 October 2026 | 18:00 |
| Saturday 17 October 2026 | 18:30 |
| Sunday 18 October 2026 | 17:00 |
| Tuesday 20 October 2026 | 18:30 |
| Wednesday 21 October 2026 | 18:30 |
| Thursday 22 October 2026 | 18:30 |
| Saturday 24 October 2026 | 18:30 |
| Sunday 25 October 2026 | 11:00 |
| Kodály, Zoltán (1882-1967) | Háry János |
| Hungarian State Opera | ||
| Péter Halász | Conductor | |
| Attila Béres | Director | |
| Hanna Erős | Set Designer | |
| Ildikó Tihanyi | Costume Designer | |
| Hungarian State Opera Orchestra | ||
| Hungarian State Opera Children's Chorus | ||
| Barbara Ari-Nagy | Dramaturgy | |
| Dénes Kovács | Choreography | |
| Gábor Csiki | Choirmaster / chorus director | |
| Csaba Sándor | Bass-baritone | Háry János |
| Gabriella Balga | Mezzo-soprano | Örzse |
| Szilvia Rálik | Soprano | The Empress |
| János Szemenyei | Vocals | Napoleon |
| Zsófia Kálnay | Mezzo-soprano | Marie Louise |
| Attila Erdős | Bass | Baron Ebelasztin |
| András Kiss | Baritone | Öreg Marci (Old Marci) |
A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House. The Hungarian historical tale woven from folk songs blends elements of science fiction, the absurd, and at times painful historical reality, yet remains firmly grounded in love of homeland and pure love. The main roles of the hundred-year-old work are performed by two Hungarian artists from beyond our borders: Csaba Sándor from Transylvania and Gabriella Balga from Slovakia. It is staged by Transylvania-born Attila Béres, director of the Miskolc National Theatre, as his first production at the Opera House. His interpretation respects the spirit of the original while remaining open to the possibilities of the present. This centenary staging invites audiences to rediscover the opera’s timeless beauty, cultural significance, and extraordinary ability to build a bridge between past and present through the universal language of music. At the conductor’s podium stands Péter Halász, the OPERA’s principal guest conductor and former music director.

