| vendredi 16 octobre 2026 | 18:00 |
| samedi 17 octobre 2026 | 18:30 |
| dimanche 18 octobre 2026 | 17:00 |
| mardi 20 octobre 2026 | 18:30 |
| mercredi 21 octobre 2026 | 18:30 |
| jeudi 22 octobre 2026 | 18:30 |
| samedi 24 octobre 2026 | 18:30 |
| dimanche 25 octobre 2026 | 11:00 |
| Kodály, Zoltán (1882-1967) | Háry János |
| Opéra d'État hongrois | ||
| Péter Halász | Direction | |
| Attila Béres | Mise en scène | |
| Hanna Erős | Décors | |
| Ildikó Tihanyi | Costumes | |
| Orchestre de l'Opéra d'État hongrois | ||
| Chœurs d'enfants de l'Opéra d'État hongrois | ||
| Barbara Ari-Nagy | Dramaturgie | |
| Dénes Kovács | Chorégraphie | |
| Gábor Csiki | Chef de chœur | |
| Csaba Sándor | Baryton-basse | Háry János |
| Gabriella Balga | Mezzo-soprano | Örzse |
| Szilvia Rálik | Soprano | The Empress |
| János Szemenyei | Voix | Napoleon |
| Zsófia Kálnay | Mezzo-soprano | Marie Louise |
| Attila Erdős | Basse | Baron Ebelasztin |
| András Kiss | Baryton | Öreg Marci (Old Marci) |
A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House. The Hungarian historical tale woven from folk songs blends elements of science fiction, the absurd, and at times painful historical reality, yet remains firmly grounded in love of homeland and pure love. The main roles of the hundred-year-old work are performed by two Hungarian artists from beyond our borders: Csaba Sándor from Transylvania and Gabriella Balga from Slovakia. It is staged by Transylvania-born Attila Béres, director of the Miskolc National Theatre, as his first production at the Opera House. His interpretation respects the spirit of the original while remaining open to the possibilities of the present. This centenary staging invites audiences to rediscover the opera’s timeless beauty, cultural significance, and extraordinary ability to build a bridge between past and present through the universal language of music. At the conductor’s podium stands Péter Halász, the OPERA’s principal guest conductor and former music director.

