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Moreau and Kadouch play Rita Strohl in Gstaad
Edgar Moreau and David Kadouch make the case for ressurecting the work of Rita Strohl, thrilling in transformation of Racine's Bérénice into Cello Sonata form.
Full-bodied Brahms and Schubert from Arcadi Volodos
Arcadi Volodos is a big man, and when he sits down to the piano, he produces a big sound. The extraordinary richness of timbre was obvious from the first notes of Brahms' 6 Klavierstücke, Op.118.
Benjamin Grosvenor in Gstaad
Watching Benjamin Grosvenor, the first thing that becomes obvious is that he is in complete control of his instrument, down to the finest detail. This was an extraordinary mature recital at Sommets Musicaux de Gstaad.
Alexei Volodin at Sommets Musicaux de Gstaad
The fact that Schubert’s four D.899 piano pieces are called “Impromptus” can seem incongruous: after all, they are formally structured pieces which are carefully scored with great subtlety, and performing them has little to do with spur-of-the-moment improvisation.
Les tons impressionnistes du Quatuor Modigliani au Festival de Gstaad
Programme 100% français ce soir pour le Quatuor Modigliani dans le cadre du Gstaad Menuhin Festival.
Vers le Paradis : Messiaen au plus haut des Sommets musicaux
Raphaëlle Moreau. Yan Levionnois. Paul Meyer. Adam Laloum. Quatre noms et un Quatuor pour la fin du Temps surnaturel, qui a emporté les Sommets musicaux de Gstaad vers des hauteurs inattendues.
