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Composer: of Bingen, Hildegard (1098-1179)

Fact file
Year of birth1098
Year of death1179
June 2018
Evening performance
Matinee performance
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CorkTown Concert

of Bingen, Jacquet de la Guerre, Strozzi, Caccini
Ensemble Dagda

LeominsterGothic Voices

© Eric Richmond
of Bingen, Metcalf, Power, Smith
Gothic Voices

LondonProm 73: Before the Ending of the Day

of Bingen, Gutiérrez de Padilla, Gallus, Allegri, Tallis, Pärt, Browne
Peter Phillips; Tallis Scholars

BarcelonaVoices New Zealand & Orfeó Català

of Bingen, Childs, Carrillo, Absil, Griffiths, Fisher, Mäntyjärvi, Hamilton, Whitacre, Casals, Mews
Karen Grylls; Horomona Horo; Voices New Zealand Chamber Choir; Orféo Català; Pablo Larraz

RouenKronos and Kairos

of Bingen, Hahne, Vivaldi, Geminiani, Cage, Simons, Riley, Handel
B'Rock Orchestra; Dorothee Oberlinger
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Fabulous Mozart from Nicole Car in eclectic Sydney programme

Nicole Car © Georges Antoni
Bracing and emotionally direct performances from the Australian Chamber Orchestra and Nicole Car, in a carefully-planned programme.
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Chanticleer in Dublin

Chanticleer © Lisa Kohler
From madrigals to modern music Chanticleer impressed with sumptuous singing in all the genres, in their National Concert Hall recital in Dublin.
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Meditations in sound from The Hilliard Ensemble and Jan Garbarek

The Hilliard Ensemble  ©  Friedrun Reinhold
In 1993, by some strange musical alchemy, a creative partnership was born that has gone on to bear some remarkable fruit. On Officium, stylish jazz and classical label ECM brought together The Hilliard Ensemble – a vocal quartet known for the precision with which it had tackled and animated austere soundworlds from Perotin to Pärt – and Norwegian jazz saxophonist Jan Garbarek.
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Officium Novum: Hilliard Ensemble and Jan Garbarek

David James, Rogers Covey-Crump, Jan Garbarek, Steven Harrold, Gordon Jones  ©  Paolo Soriani / ECM Records
It has been nearly twenty years since the Hilliard Ensemble and Jan Garbarek released their first recording, Officium, in which the austere harmonies of medieval sacred music sung by the male voice quartet were augmented by Garbarek’s beautiful, freewheeling saxophone melodies.
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Vibrantes beautés entre chien et loup : Ellison et Pécou dirigent leurs œuvres à l’Amphi de l’Opéra de Lyon

© Bertrand Pichene
Le concert décentralisé du Festival d’Ambronay fait découvrir d’éternelles « Voies de la Beauté », entre le Moyen Âge d’Hildegard et les rituels chamaniques des Indiens navajos
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