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Composer: Dean, Brett (b. 1961)

September 2018
Evening performance
Matinee performance
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VeniceOrchestra Haydn di Bolzano e Trento

Thomas, Dean
Roberto Miele; Tito Ceccherini; Francesco D'Orazio; Giulia Bolcato; Francesco Abbrescia; Orchestra Haydn di Bolzano e Trento

HamburgSydney Symphony Orchestra - Großes Orchesterkino

© Shutterstock 747030220
Dean, Korngold, Mahler
Sydney Symphony Orchestra; David Robertson; Renaud Capuçon

CopenhagenSaraste & Tchaikovsky

Dean, Stravinsky, Tchaikovsky
Danish National Symphony Orchestra; Jukka-Pekka Saraste; Leonidas Kavakos; Mojca Erdmann; Allan Clayton

BerlinSakari Oramo

Grieg, Dean, Sibelius
Berliner Philharmoniker; Sakari Oramo; Alban Gerhardt

SydneyThe Last Days of Socrates

Mendelssohn, Haydn, Dean
Sydney Symphony Orchestra; Brett Dean; Peter Coleman-Wright; Andrew Goodwin; Sydney Philharmonia Choirs
Latest reviewsSee more...

To sing or not to sing: Hamlet in Adelaide

Kim Begley (Polonius) and Allan Clayton (Hamlet) © Tony Lewis
Brett Dean's Hamlet is an extremely powerful theatrical experience, excelling in all aspects of production, singing and musical values, but is it an opera?
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“Or not to be”: Hamlet revived for Glyndebourne’s tour

David Butt Philip (Hamlet) © Richard Hubert Smith
A restless score, a stylish modern setting and gripping central performances from David Butt Philip (trading Laertes at the festival for the title role here) and Jennifer France (Ophelia) do much to commend this new work
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Brett Dean meets Beethoven: The new Tonhalle Maag’s first concert this season

Brett Dean © Pawel Kopczynski
This wasn’t just any concert. The Zurich Tonhalle’s new season was opening in a brand new hall in the trendy Züri-West quarter of the city.
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Hamlet boldly adapted by Brett Dean

John Tomlinson (Ghost), Allan Clayton (Hamlet) © Richard Hubert Smith
Brett Dean treats Shakespeare's behemoth as a timeless story told in language that has become timeless; no effort is spared in elucidating and amplifying that story.
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Heroism, life and death at the Barbican

Sakari Oramo © Benjamin Ealovega
Oramo and the BBCSO were dynamic in the UK première of Brett Dean's thought-provoking suite and provided a solid account of Richard Strauss' Ein Heldenleben.
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