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Composer: Poulenc, Francis (1899-1963)

October 2018
Evening performance
Matinee performance
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OxfordHeimat: Benjamin Appl & James Baillieu

Heimat: Benjamin Appl & James Baillieu
Schubert, Reger, Schreker, Brahms, Wolf, Strauss R., Strauss, Poulenc, Vaughan Williams, Bishop, Warlock, Ireland, Grieg
Benjamin Appl; James Baillieu

TwickenhamBenjamin Appl & James Baillieu

© Lars Borges
Schubert, Reger, Brahms, Schreker, Strauss R., Strauss, Poulenc, Britten, Vaughan Williams, Bishop, Warlock, Ireland, Grieg
Benjamin Appl; James Baillieu

LondonLunchtime Recital - Craig McLaren (clarinet) Jack Tait Westwell (piano)

Lunchtime Recital - Craig McLaren (clarinet) 	Jack Tait Westwell (piano)
Weber, Stravinsky, Poulenc
Craig McLaren; Jack Tait Westwell

BirminghamSteven Osborne

Steven Osborne
Poulenc, Debussy, Prokofiev, Schubert
Steven Osborne, Piano

LondonRCM String Band: Poulenc and Parry

RCM String Band: Poulenc and Parry
Schubert, Poulenc, Parry, Shostakovich
Mark Messenger; RCM String Band
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Ne quittez pas: A reimagined La Voix humaine in Philadelphia

Patricia Racette (Elle) © Dominic M Mercier
Chaotic staging detracts from imaginative pairing of Poulenc's songs with his one-act, one-performer opera. 
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On the female condition: two 20th-century operas in Turin

Anna Caterina Antonacci (Susanna) and Bruno Danjoux (Servant) © Rammella & Giannese/Piva | Teatro Regio Torino
Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.
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A fear of fear: Poulenc's Carmélites in Aachen

Faustine De Monès (Sœur Constance) and Suzanne Jérosme (Blanche) © Ludwig Koerfer
The forces of Theater Aachen impress in a suitably harrowing and searing production of Poulenc's Dialogues des Carmèlites.
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Witty Poulenc and gigantic Rachmaninov from The Cleveland Orchestra

Stephane Deneve © Uwe Ditz
Jory Vinikour was the soloist for Poulenc’s rarely heard Concert champêtre. A performance of Rachmaninov's Symphony no. 2, in which thrilling excess ruled, completed the program.
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Disappointing Dialogues des Carmélites

Chloe Latchmore (Mère Marie), Bertie Watson, Georgia Mae Bishop (Madame de Croissy) © Clive Barda
The most moving scene in 20th-century opera went for nothing
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