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Composer: Poulenc, Francis (1899-1963)

April 2019
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Evening performance
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BarcelonaCoro Anton Bruckner: La Llum de la Neu

Coro Anton Bruckner: La Llum de la Neu
Requesens Roca, Poulenc, Doherty, Howells, Ollé i Sabaté, Vivancos, Rutter, Whitacre, Ešenvalds, Lauridsen
Júlia Sesé; Cor Anton Bruckner

InnsbruckSonntagsmatinee Sketches

Bernstein, Poulenc
Tiroler Symphonieorchester Innsbruck

New York CityDialogues des Carmélites

Poulenc: Dialogues des Carmélites
Yannick Nézet-Séguin; John Dexter; Metropolitan Opera; David Reppa; Jane Greenwood; Isabel Leonard; Adrianne Pieczonka

BerlinBoston Symphony Chamber Players

Gandolfi, Haydn, Poulenc, Beethoven
Boston Symphony Chamber Players; Garrick Ohlsson

StockholmSeason's final concert with students of the RSPO Orchestra Academy, free

Season's final concert with students of the RSPO Orchestra Academy, free
Nielsen, Reger, Bach J. C., Mozart, Poulenc, Prokofiev
Members of the RSPO Orchestra Academy; Tove Edqvist; Hanna Edqvist; Carl Ahlgren; Johan Segerman
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A quest for fresh interpretations

Patricia Kopatchinskaja © Julia Wesely
There is a very strong bond between two interpreters that approach music with the same unbridled passion
*****
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Dancing to disaster with Rattle and the LSO

Daniil Trifonov, Sir Simon Rattle and the LSO © Doug Peters
The LSO saved their best till last, for La Valse was superb in both sensuous atmosphere and devastating execution.
****1
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Anne Sofie von Otter dominates the scene in Stockholm's Carmélites

Anne Sofie von Otter (Madame de Croissy) © Micke Sandström | Kungliga Operan

The Royal Swedish Opera revives Garpe’s production of Poulenc’s Dialogues des Carmélites with a committed cast.

***11
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Stylish, witty double bill at RCS

Arthur Bruce (Gianni Schicchi) © Royal Conservatoire of Scotland | Robbie McFadzean

Commedia dell'arte and zany surrealism: RCS opera school pulls off a highly amusing double bill of Gianni Schicchi and Les Mamelles de Tirésias with style.

****1
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Asphodel Meadows/ The Two Pigeons, a beautiful pairing of repertoire

Reece Clarke and Beatriz Stix Brunell in Ashton's The Two Pigeons © ROH, 2019 | Bill Cooper
Exceptional performances from a cast wholly comprised of first soloists and soloists provide a good omen for the future of The Royal Ballet   
****1
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