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Work: Stabat Mater, FP 148

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Fact file
ComposerPoulenc, Francis (1899-1963)
PeriodEarly 20th century
Year1951
Work typeChoral
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ToulouseJosep Pons / Lauranne Oliva

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Poulenc
Orchestre National du Capitole de Toulouse; Josep Pons; Lauranne Oliva; Orfeón Donostiarra; José Antonio Sainz Alfaro

ViennaWiener Symphoniker / Benoit / Jacquot

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Poulenc, Stravinsky
Vienna Symphony Orchestra; Marie Jacquot; Wiener Singakademie; Elsa Benoit; Barbara Rett

SeattleStravinsky The Firebird

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Ravel, Poulenc, Stravinsky
Seattle Symphony; Andrew Litton; Janai Brugger; Seattle Symphony Chorale
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Yamada and the CBSO deliver an evening of stark contrasts

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A concert of French music reveals – and suffers from – contrasting styles, attitudes and coherence in works by Ravel and Poulenc. 
***11
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A conflicted evening at the Three Choirs Festival

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Elizabeth Watts gives an unforgettably powerful performance of Finzi’s Dies Natalis in an otherwise problematic concert, marred by Adrian Partington’s uncertain approach.
***11
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Disappointing French fare from Minkowski

A lush programme of Fauré, Stravinsky, and Poulenc is let down by Minkowski's erratic conducting, but is partially redeemed by two of France's fastest rising singers.
**111
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Latest articles

Bachtrack top ten: Francis Poulenc

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Dubbed “half monk, half rascal”, Francis Poulenc was a complex composer, his music ranging from witty vaudeville to choral music of religious fervour.