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Work: Stabat Mater, FP 148

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Fact file
ComposerPoulenc, Francis (1899-1963)
PeriodEarly 20th century
Year1951
Work typeChoral
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PragueAlena Hron and Alban Gerhardt

Prague Symphony Orchestra
Dvořák, Poulenc
Prague Symphony Orchestra; Alena Hron; Alban Gerhardt; Karolína Levková; Prague Philharmonic Choir

LiverpoolThe Spirit of Bohemia

© Petra Hajska
Kaprálová, Smetana, Poulenc
Royal Liverpool Philharmonic Orchestra; Alena Hron; Melody Louledjian; Royal Liverpool Philharmonic Choir; Matthew Hamilton
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Yamada and the CBSO deliver an evening of stark contrasts

Kazuki Yamada and Fazıl Say © Jonathan Ferro
A concert of French music reveals – and suffers from – contrasting styles, attitudes and coherence in works by Ravel and Poulenc. 
***11
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A conflicted evening at the Three Choirs Festival

Transformations © Dale Hodgetts & James O'Driscoll
Elizabeth Watts gives an unforgettably powerful performance of Finzi’s Dies Natalis in an otherwise problematic concert, marred by Adrian Partington’s uncertain approach.
***11
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Disappointing French fare from Minkowski

A lush programme of Fauré, Stravinsky, and Poulenc is let down by Minkowski's erratic conducting, but is partially redeemed by two of France's fastest rising singers.
**111
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Latest articles

Bachtrack top ten: Francis Poulenc

Francis Poulenc with Marcelle Meyer, Jean Cocteau and members of Les Six © Public domain
Dubbed “half monk, half rascal”, Francis Poulenc was a complex composer, his music ranging from witty vaudeville to choral music of religious fervour.