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Composer: Rameau, Jean-Philippe (1683-1764)

August 2018
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Evening performance
Matinee performance
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ManchesterRobyn Koh, Harpsichord

Robyn Koh, Harpsichord
McLean, Frescobaldi, Riley, Byrd, Mustonen, Rameau, Hovhaness, Bach C.P.E., Duphly, Scarlatti
Robyn Koh, Harpsichord

LondonBBC Singers: Rameau & Lully

© Sim Canetty-Clarke
Rameau, Lully
Academy of Ancient Music; Sofi Jeannin; BBC Singers; Aakash Odedra

CambridgeBBC Singers: Rameau & Lully

© Sim Canetty-Clarke
Rameau
Academy of Ancient Music; Sofi Jeannin; BBC Singers

BambergOrgelkonzert: Transkriptionen und Improvisation

Rameau, Fauré, Ravel, Satie, Poulenc, Debussy, Dutilleux, Florentz, Mechler
Thierry Mechler, Organ

BudapestAnaïs Gaudemard

© Nicolas Mignani
Rameau, Daquin, Renie, Pépin, Hasselmans, de La Presle, Debussy, Smetana, Glinka
Anais Gaudemard, Harp
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French Baroque meets modern dance at Drottningholm

Pigmalion © Bengt Wanselius
Saburo Teshigawara sets Rameau’s opéra-ballet Pigmalion as a compelling dance performance
***11
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Captivating command and a striking Risser première from Jean Rondeau

Jean Rondeau © Baghir
A striking première by Eve Risser following Jean Rondeau’s captivating display of the virtuosic heights of French Baroque harpsichord writing.
****1
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O/MODƏRNT at Wigmore Hall: A descent into melodrama

Hugo Ticciati © Marco Borggreve
Conceptually, the programme of descending and rising fourths offered a real treat: in practice, the musicians' skill was in danger of being lost as they attempted to recover from their opening gimmickry.
***11
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Witty Poulenc and gigantic Rachmaninov from The Cleveland Orchestra

Stephane Deneve © Uwe Ditz
Jory Vinikour was the soloist for Poulenc’s rarely heard Concert champêtre. A performance of Rachmaninov's Symphony no. 2, in which thrilling excess ruled, completed the program.
***11
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Excellent Les Indes galantes at Müpa

Véronique Gens, György Vashegyi and Thomas Dolié © Attila Nagy | Müpa Budapest
A delightful performance of Rameau's opera opens the Müpa's Early Music Festival.
****1
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