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A structurally grounded, revealing Carnegie Hall debut by Alexandra Dovgan

Alexandra Dovgan
© Rebecca J Michelson
Alexandra Dovgan
© Rebecca J Michelson
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“in Dovgan’s Chopin, phrasing followed structure, not the other way around”
Reviewed at Carnegie Hall: Zankel, New York City on 19 March 2026
Chopin, Barcarolle in F sharp major, Op.60
Chopin, Piano Sonata no. 3 in B minor, Op.58
Franck, Prelude, Chorale and Fugue
Prokofiev, Piano Sonata no. 2 in D minor, Op.14
Chopin, Waltz no. 7 in C sharp minor, Op.64 no.2
Chopin, Mazurka in A minor, Op.17 no.4
Chopin, Waltz in F major "Grande Valse Brillante", Op.34 no.3
Rachmaninov, Prelude in G sharp minor, Op.32 no.12
Rameau, Pièces de clavecin: Le Rappel des oiseaux
Bach, Herz und Mund und Tat und Leben, BWV147: Jesu bleibet meine Freude (Jesu, joy of man's desiring) (trans. Myra Hess)
Alexandra Dovgan, Piano
Schumann v Schumann: a surprise victor in Vienna concerto play-off
****1
Rustioni, Dovgan, le National et les démons russes à Radio France
****1
Alexandra Dovgan cautiva en Madrid con un recital impecable
*****
Meister, Dovgan y la ONE encandilan con un programa redondo
****1
La leçon de simplicité d'Alexandra Dovgan à Évian
****1
La confirmation d’Alexandra Dovgan à La Roque d’Anthéron
****1
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