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Composer: Grieg, Edvard (1843-1907)

Find classical music concert, opera, ballet and dance listings | Grieg
© David Karlin
© David Karlin
October 2020
Evening performance
Matinee performance
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SchweinfurtAlice Sara Ott at the Piano

© Jonas Becker
Sibelius, Grieg, Stravinsky
Bamberg Symphony; Santtu-Matias Rouvali; Alice Sara Ott

BambergAlice Sara Ott at the Piano

© Kamu Kaapo
Sibelius, Grieg, Stravinsky
Bamberg Symphony; Santtu-Matias Rouvali; Alice Sara Ott

BerlinKammerkonzert 4: Quartett

Komische Oper Berlin
Grieg, Shostakovich
Stefan Adam; Freia Schubert; Masae Kobayashi; Jin Kyung Kim

BambergOur cellists dance

© Peter Eberts
Strauss II, Tchaikovsky, Bartók, Popper, Grieg, Bizet
Indrek Leivategija; Nikola Jovanovic; Lucie de Roos; Eduard Resatsch

PragueMráček and Untermüller perform Mozart

© Petra Hajska
Grieg, Haydn, Mozart
Chamber Orchestra of the Czech Philharmonic; Jan Mráček; Karel Untermüller
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Kitchen sink Carmen: Măcelaru rounds off the ONF season in style

ONF Percussion © France Musique
The percussion department of the Orchestre National de France took their turn in the spotlight for Rodion Shchedrin's ballet. 
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Northern Lights: Atlanta Symphony explores rare repertoire

Thomas Søndergård conducts the Atlanta Symphony © Jeff Roffman
In a bold move, guest conductor Thomas Søndergård conducts three Atlanta premieres by late-Romantic Scandinavian composers.
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Star factor: Lise Davidsen in recital at the Barbican

Lise Davidsen © Ray Burmiston

Lise Davidsen is now a major talent and in this warmly presented recital, she showcased technical ability and raw power in a programme of Scandinavian and German songs.

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Patricia Kopatchinskaja's stunning return to Seattle

Patricia Kopatchinskaja, Thomas Dausgaard and the Seattle Symphony © Carlin Ma

PatKop gives a life-or-death account of Shostakovich's First Violin Concerto with the Seattle Symphony and Thomas Dausgaard on a programme framed by Scandinavian colours.

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What's in a name? Intriguing pianism from Denis Kozhukhin

Denis Kozhukhin © Marco Borggreve
The Russian pianist's nuanced approach bears most fruit in Schubert and Grieg, less so in Beethoven and Ravel.
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