Choosing a programme for a recital is as important and nearly as difficult as all the practice that happens next. The programme must be the perfect length, provide a contrast of musical styles and yet be linked in some way so as not to be arbitrary. No-one could accuse violinist James Ehnes and pianist Andrew Armstrong of poor programming; however they certainly didn’t make it easy for themselves.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
