Principal contrabassist of the Royal Stockholm Philharmonic Orchestra talks about why Mahler’s restless and volatile First Symphony is a highlight of any orchestra season.
If it wasn't for Anton Stadler, would Mozart have been inspired to write such great works for the clarinet, giving the instrument a new place in the spotlight?
Works by Rolf Liebermann, Mozart and Mahler recently brought down the house at Zurich’s Tonhalle Maag, in no small part because of Martin Fröst’s illuminating performance.
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