A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.
Josep Pons volvía al frente de la OSG en una velada que, tras la cancelación del violinista que iba a interpretar el Concierto de Alban Berg, se conformó en un programa entermanente formado por música orquestal de Richard Wagner. La experimentada batuta de Pons sacó de la Sinfónica expresividad y brillantez y nos brindó un Wagner rebosante de musicalidad.
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