The Wooden Prince

Bartók’s ballet is a fairytale, for sure, but this is 20th-century Hungary, where folklore has a habit of growing teeth and claws. Edward Gardner shares the choral ecstasies of Szymanowski’s gorgeous Stabat Mater, and champions the utterly original music of Vítězslava Kaprálová. Expect surging emotions, burning colours and glorious singing; but above all, prepare to be transported.