The Chicago Symphony Orchestra hosted guest conductor Michael Tilson Thomas and pianist Jeremy Denk this weekend in works of Mahler, Beethoven and Brahms that felt familiar yet oddly fresh (or bizarre, depending on one’s point of view). The program comprised Mahler’s Blumine, a freestanding work originally used as the second movement of his First Symphony; Beethoven’s Piano Concerto No.
***11
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
