Venue: Chicago Symphony Center

Klaus Mäkelä conducts the Chicago Symphony through a display of orchestral color, from Stravinsky’s kaleidoscopic Petrushka to the exuberant grandeur of Walton’s Belshazzar’s Feast.

Peter Lieberson's Neruda Songs with the mezzo-soprano Joyce DiDonato teem with subtle brilliances. 

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

The Chicago Symphony Orchestra's Music Director Designate juxtaposes his Finnish countryman's music on their shared national epic, the Kalevala, with the heroic life limned in the tone poem of Richard Strauss.

A strong world premiere of Aucoin's evocative and immediate Song of the Reappeared, a concerto for voice written for soprano Julia Bullock which sets vivid imagery by a poet who suffered under authoritarianism.

The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral. 

Without a baton, the contemporary-music specialist showcases the Chicago Symphony strings in an intimate program ranging from music of the last decade all the way back to Pergolesi. 

Three hands for two concertos: Alice Sara Ott joins the Chicago Symphony Orchestra for Ravel's Piano Concerto for the left hand and the Piano Concerto in G major.