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Classical music, opera, ballet and dance in New Zealand

Use Bachtrack's search facility to find concerts, opera and dance events not only in this country but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.

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WellingtonLet There Be Light

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Frolyak, Prokofiev, Tchaikovsky
New Zealand Symphony Orchestra; Jaime Martín; Shan Liu

AucklandOpera in Concert: Madama ButterflyConcert performance

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Puccini: Madama Butterfly
Giordano Bellincampi; New Zealand Opera; Auckland Philharmonia; New Zealand Opera Chorus; Erika Grimaldi; Gaston Rivero

ChristchurchLet There Be Light

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Frolyak, Prokofiev, Tchaikovsky
New Zealand Symphony Orchestra; Jaime Martín; Shan Liu

WellingtonRadiance

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Wagner
New Zealand Symphony Orchestra; Pietari Inkinen; Simon O'Neill

WellingtonMyths & Legends

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Sibelius, Lindberg
New Zealand Symphony Orchestra; Pietari Inkinen
Latest reviewsSee more...

Opening the doors of memory: a haunting Bluebeard’s Castle in Auckland

Lester Lynch (Bluebeard) © Thomas Hamill
In Daisy Evans’ conception, as Judith briefly reconnects with the joy and tragedy of her past, the effect is nothing short of devastating.
****1
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Joyce DiDonato’s Berlioz takes flight in Auckland

Joyce DiDonato and the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO
The unexpected grounding of Airbus A320s across the globe has musical consequences in Auckland, but Joyce DiDonato’s Berlioz saves the day. 
****1
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NZTrio and Emma Pearson: Strauss reimagined in gold and light

Emma Pearson with NZTrio © NZTrio
The NZTrio, joined by soprano Emma Pearson for a programme largely focused on female composers, ending with Salina Fisher's arrangement of Strauss’ Four Last Songs
****1
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A tale of two Stabat Maters in Auckland

Valentina Peleggi, Filipe Manu and the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO
Heard side by side, these two Stabat Maters, neither of which is a typical example of its kind, make for an evening of striking contrasts under conductor Valentina Peleggi. 
***11
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Into the labyrinth: opera and community in The Monster in the Maze

Ipu Laga'aia (Theseus) © Emma Brittenden
Director Anapela Polata’ivao handles her mixed forces of amateurs and professionals with seamless assurance, the crowds’ movements across the stage showing both clarity and intent. 
****1
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