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Klassische Musik, Oper, Ballett und Tanz in Neuseeland

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September 2026
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Abendvorstellung
Matinee
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WellingtonRhythm & Dance

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Adams, Copland, Ortiz, Bernstein
New Zealand Symphony Orchestra; Gemma New; Patrick Barry

AucklandRhythm & Dance

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Adams, Copland, Ortiz, Bernstein
New Zealand Symphony Orchestra; Gemma New; Patrick Barry

WellingtonEmerging Artists

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New Zealand Symphony Orchestra; N.N.

AucklandThe Pearl FishersNeuinszenierung

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Bizet: Les Pêcheurs de perles (Die Perlenfischer)
Stephen Barlow; New Zealand Opera; Yannis Thavoris; Jake Wiltshire; Auckland Philharmonia

WellingtonFour Last Songs

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Strauss R., Brahms
New Zealand Symphony Orchestra; Sir Donald Runnicles; Madeleine Pierard
Neue Kritikenmehr...

Opening the doors of memory: a haunting Bluebeard’s Castle in Auckland

Lester Lynch (Bluebeard) © Thomas Hamill
In Daisy Evans’ conception, as Judith briefly reconnects with the joy and tragedy of her past, the effect is nothing short of devastating.
****1
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Joyce DiDonato’s Berlioz takes flight in Auckland

Joyce DiDonato and the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO
The unexpected grounding of Airbus A320s across the globe has musical consequences in Auckland, but Joyce DiDonato’s Berlioz saves the day. 
****1
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NZTrio and Emma Pearson: Strauss reimagined in gold and light

Emma Pearson with NZTrio © NZTrio
The NZTrio, joined by soprano Emma Pearson for a programme largely focused on female composers, ending with Salina Fisher's arrangement of Strauss’ Four Last Songs
****1
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A tale of two Stabat Maters in Auckland

Valentina Peleggi, Filipe Manu and the New Zealand Symphony Orchestra © Phoebe Tuxford | NZSO
Heard side by side, these two Stabat Maters, neither of which is a typical example of its kind, make for an evening of striking contrasts under conductor Valentina Peleggi. 
***11
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Into the labyrinth: opera and community in The Monster in the Maze

Ipu Laga'aia (Theseus) © Emma Brittenden
Director Anapela Polata’ivao handles her mixed forces of amateurs and professionals with seamless assurance, the crowds’ movements across the stage showing both clarity and intent. 
****1
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