Der Musikalische Garten, un pasado que florece

By Irene Littfack, 18 September 2019

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“La mesura y sencillez de su interpretación y expresión hizo relucir la belleza pura de la música”

Reviewed at Sala de Conciertos Biblioteca Luis Ángel Arango, Bogotá on 15 September 2019

Telemann, Trio Sonata in D minor, TWV 42:d6

Handel, Trio Sonata in G minor, Op.2 no.5, HWV 390

Anonymous, Klagenfurt Manuscript: balletto para dos violines

Bach C.P.E., Trio sonata in C minor, H.579

Brescianello, Violin Concerto no. 4 in E minor, Op.1

Telemann, Trio Sonata in A Major, TWV Anh. 42:A1

Biber, Harmonia Artificiosa (Partia V en sol menor)

Der Musikalische Garten

Steve Reich at 90 celebrated in Liverpool

Pwyll ap Sion, 29th April

A compelling concert at Liverpool’s Tung Auditorium offers a striking Josephine Stephenson’s UK premiere, dazzling John Adams and Steve Reich’s mesmerising Reich/Richter.

*****

Requiem to a troubled genius at the Southbank’s Multitudes

Chris Garlick, 29th April

As part of the Southbank Centre's Multitudes festival, Unnatural Harmony: Sounds of Lee Alexander McQueen offers a multimedia tribute to the life and creative vision of the iconic British fashion designer.

****1

Dazzling Prokofiev from Alim Beisembayev and the RLPO

Peter Connors, 26th April

In an all-Russian programme in Liverpool, Alim Beisembayev gives a breathtaking performance of Prokofiev's fiendishly difficult Second Piano Concerto.

****1

A Evgeny Kissin tour de force in Boston

Kevin Wells, 25th April

Andrey Boreyko makes an impressive debut with the Boston Symphony, where Evgeny Kissin performs in not one, but two piano concertos.

****1

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Peter Whelan and Carlos Ferreira ignite Brahms and Weber in Dublin

Andrew Larkin, 24th April

Peter Whelan drew rare urgency and transparency from Brahms, while Carlos Ferreira’s lyrical finesse elevated Weber beyond expectation.

*****

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Irene Littfack

Músico y periodista cultural colombiana formada en la Pontificia Universidad Javeriana y magíster en Diseño de espacios y experiencias culturales de la Escuela Superior de Diseño de Barcelona. Es cofundadora y periodista de la plataforma de periodismo musical Concertante, colabora frecuentemente con distintos medios especializados de Colombia y España y dedica su tiempo a la escritura y los podcasts en torno a la música.