Der Musikalische Garten, un pasado que florece

By Irene Littfack, 18 September 2019

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“La mesura y sencillez de su interpretación y expresión hizo relucir la belleza pura de la música”

Reviewed at Sala de Conciertos Biblioteca Luis Ángel Arango, Bogotá on 15 September 2019

Telemann, Trio Sonata in D minor, TWV 42:d6

Handel, Trio Sonata in G minor, Op.2 no.5, HWV 390

Anonymous, Klagenfurt Manuscript: balletto para dos violines

Bach C.P.E., Trio sonata in C minor, H.579

Brescianello, Violin Concerto no. 4 in E minor, Op.1

Telemann, Trio Sonata in A Major, TWV Anh. 42:A1

Biber, Harmonia Artificiosa (Partia V en sol menor)

Der Musikalische Garten

Sumptuous Sheffield Chamber Music Festival finale

Phil Parker, 23rd May

Ensemble 360 and soprano Claire Booth test to the limits the definition of ‘chamber music’ in this richly orchestral closing concert of the 2026 Sheffield Chamber Music Festival.

****1

More gold than corn: María Dueñas plays Korngold at the Barbican

Mark Pullinger, 22nd May

The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Mark Valencia, 21st May

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

****1

Intimate colossus: Daniil Trifonov with the Rotterdam Philharmonic

Max Lima, 21st May

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores.

****1

Heavenly Mahler – and Strauss – from Lucy Crowe and the LSO

Roy Westbrook, 21st May

Songs and symphonies from Sir Simon Rattle and the London Symphony Orchestra, concluding with a vision of “heavenly life” from Gustav Mahler.

****1

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Irene Littfack

Músico y periodista cultural colombiana formada en la Pontificia Universidad Javeriana y magíster en Diseño de espacios y experiencias culturales de la Escuela Superior de Diseño de Barcelona. Es cofundadora y periodista de la plataforma de periodismo musical Concertante, colabora frecuentemente con distintos medios especializados de Colombia y España y dedica su tiempo a la escritura y los podcasts en torno a la música.