The Sixteen’s work is spoilt by a shortage of violins and some uneven solo contributions. Such imperfections only serve to highlight the excellence of the very best.
The latest instalment of Kings Place's “Sound Unwrapped” series delivers wonderful musicianship in both jazz and early music, but not the promised “continuous fusion of styles”.
Under the baton of Harry Christophers and direction of Penny Woolcock, Streetwise Opera, The Sixteen, Sixteen Orchestra, backed by a number of Manchester-based organisations came together to bring a well-crafted Easter dramatisation of one of Johann Sebastian Bach’s seminal oratorios.
Ramón del Buey Cañas (Madrid, 1993) es Personal Docente e Investigador en Formación del Departamento de Filosofía de la Universidad Autónoma de Madrid; miembro del equipo directivo de la Asociación de Música Electroacústica y Arte Sonoro de España y programador de Filmadrid Festival Internacional de Cine.
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