El Collegium Vocale Gent interpreta un inolvidable Oratorio de Navidad

By Jorge Baeza Stanicic, 26 December 2019

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Reviewed at Auditorio Nacional de Música, Madrid on 22 December 2019

Bach, Christmas Oratorio, BWV248 (Cantatas núm. 1, 2, 3 y 6 )

Hana Blažíková, Soprano

Alex Potter, Countertenor

Georg Poplutz, Tenor

Peter Kooij, Bass

Collegium Vocale Gent

Christoph Prégardien, Conductor

The dark side of Arcadia: Collegium Vocale Gent at Musikfest Berlin

Elena Luporini, 27th August

At this year's Musikfest Berlin, the Collegium Vocale Gent and Philippe Herreweghe perform a programme inspired by Arcadia, in what could might as well be a pastoral concept album.

****1

Philippe Herreweghe conducts an energetic Mozart Requiem in Antwerp

Edward Sava-Segal, 7th May

Despite distancing, the members of Collegium Vocale Gent filled the Queen Elisabeth Hall with an impressively cohesive sound, transparent and powerful at the same time.

****1

Herreweghe achieves purity and unity in Bach's Mass in B minor

Nahoko Gotoh, 14th June

There are multiple ways of approaching Bach's Mass in B minor, from the one-to-a-part advocated by Joshua Rifkin to a more conventional large choral approach, and everything in between.

****1

A near miss in Mozart's Requiem

Dominic Lowe, 26th August

Although Ács Ákos gave an excellent performance of Mozart's Clarinet Concerto, Iván Fischer's innovative Requiem didn't quite work.

***11

Haydn's Creation not quite a Big Bang at Holland Festival

Nicolas Nguyen, 13th June

At the Holland Festival, the performance of Haydn’s Die Schöpfung with film images by Julian Rosefeldt does not quite unfold as the spectacle it promises on paper.

**111

Funeral Anthem proves an inspired opener for the Oslo International Church Music Festival

Travis Mason, 4th March

A stunning performance of virtuosic ensemble singing by Collegium Vocale Gent to open the 16th Oslo International Church Music Festival

****1

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

Christoph Prégardien y el Collegium Vocale Gent interpretan un inolvidable Oratorio de Navidad