The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.
From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.
Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.
Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.
David Santana (Bilbao, 1996) comienza sus estudios de música en la especialidad de
fagot en el Conservatorio Juan Crisóstomo de Arriaga de Bilbao. En 2014 se traslada a
Madrid, donde cursa el grado en Musicología en la Universidad Complutense de Madrid
y continúa y finaliza sus estudios musicales de fagot en el Conservatorio Adolfo Salazar
de Madrid. Actualmente se encuentra ampliando su formación con la realización del
Máster de Investigación de Música Española e Hispanoamericana en la UCM.
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