Argerich, Dutoit y la Orchestra della Svizzera italiana en Ibermúsica

By Leonardo Mattana Ereño, 20 March 2026

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“en las manos de Argerich revelaron todo su potencial a la vez que su vigencia”

Reviewed at Auditorio Nacional de Música, Madrid on 18 March 2026

Ravel, Ma mère l'Oye (Mother Goose)

Beethoven, Piano Concerto no. 1 in C major, Op.15

Mendelssohn, Symphony no. 4 in A major "Italian", Op.90

Charles Dutoit, Conductor

Martha Argerich, Piano

Orchestra della Svizzera italiana

Lean, unsentimental Tchaikovsky from Krzysztof Urbański in Lugano

Mark Pullinger, 25th March

Krzysztof Urbański gives neat and tidy performances of three Tchaikovsky works with the Orchestra della Svizzera italiana, but are they a little too anaemic?

***11

Pulcinella dances home: Charles Dutoit's Swiss homage to Stravinsky

Roy Westbrook, 25th February

An ideal homage to the "Swiss Stravinsky" on the 50th anniversary of his death.

****1

Am Original orientiert: Anna Vinnitskaya mit Rachmaninow in Lugano

Thomas Schacher, 11th April

Die Pianistin beruft sich bei ihrer Rachmaninow-Interpretation auf den Komponisten selbst. Und Chefdirigent Markus Poschner demonstriert mit dem OSI seine eigene Sicht auf die Brahms-Symphonien.

***11

Plaudits and a promising residency for the Czech Philharmonic

Frank Kuznik, 25th September

The orchestra doesn't miss a beat in opening the season with a substitute conductor Charles Dutoit and a dashing new artist-in-residence in Daniil Trifonov.

****1

Argerich and Dutoit demonstrate that vitality is ageless

Edward Sava-Segal, 18th September

Martha Argerich returns to the Enescu Festival for one of the pillars of her repertory, Prokofiev's Third Piano Concerto, in a buoyant performance.

***11

Pulcinella dances home: Charles Dutoit's Swiss homage to Stravinsky

Roy Westbrook, 25th February

An ideal homage to the "Swiss Stravinsky" on the 50th anniversary of his death.

****1

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Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.

Lo sublime y lo heroico: Argerich, Dutoit y la Orchestra della Svizzera italiana en Ibermúsica