El clave bien temperado II brilla en la interpretación de Anderszewski

By Jorge Baeza Stanicic, 02 March 2021

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“dejó fluir las líneas con total claridad, permitiendo apreciar cada voz de manera individual”

Reviewed at Círculo de Bellas Artes: Teatro Fernando de Rojas, Madrid on 28 February 2021

Bach, Well-Tempered Clavier (24 Preludes and Fugues) - Book 2 (Selección)

Piotr Anderszewski, Piano

Gods and Heroes: Beethoven stirs the soul at Klosters

Roy Westbrook, 27th July

A traditional overture–concerto–symphony programme at Klosters Music proves anything but stale in dramatic performances by the Munich Chamber Orchestra.

*****

Anderszewski returns to the Gilmore Festival

Sam Jacobson, 9th May

The Polish pianist’s Gilmore recital traverses suites by Beethoven, Chopin, Szymanowski, Bartók and Bach, benefitting from thoughtful interpretation.

****1

An electrifying recital by Piotr Anderszewski

Susannah Moody, 2nd November

In a tempestuous and exhilarating evening at the Barbican, the Polish pianist displays typical mastery of Bach, Szymanowski, Webern and Beethoven.

****1

Belcea Quartet and Piotr Anderszewski finding deep musical insights

Chris Garlick, 30th April

Like all great quartets, each member contributed their individual voice but, in the combination of all four, they created something extraordinary and compelling.

****1

A sweet finale to Gardiner's memorable Schumann cycle

Young-Jin Hur, 10th February

Concluding Gardiner's Schumann cycle, it was a memorable concert, with a memorable Spring Symphony and a musical Manfred Overture. The Beethoven first piano concerto proved an unlikely hero.

****1

Hrůša on the verge of greatness?

Roy Westbrook, 15th February

How do you prepare a new production at a major opera house, then stroll across the Thames to lead a fine and distinctive Mahler Five?

****1

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

El segundo libro del Clave bien temperado brilla en la interpretación de Piotr Anderszewski en el Círculo de Bellas Artes