Grigory Sokolov’s annual visit to the Konzerthaus – always in December, always half-lit, always a lengthy affair – is an object of cultish appreciation for the Viennese, who are drawn to mystique like moths to a flame.
Si le pianiste a l’art de concocter des programmes originaux, il se montre aussi curieusement imprévisible, capable de sublimes fulgurances comme d’inexplicables lourdeurs.
Ramón del Buey Cañas (Madrid, 1993) es Personal Docente e Investigador en Formación del Departamento de Filosofía de la Universidad Autónoma de Madrid; miembro del equipo directivo de la Asociación de Música Electroacústica y Arte Sonoro de España y programador de Filmadrid Festival Internacional de Cine.
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