Nash Ensemble intepreta a Falla

By Katia de Miguel, 17 March 2015

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“fue un privilegio escuhar las brillantes partituras de Falla en sus primeras versiones de conjunto”

Reviewed at Wigmore Hall, London on 14 March 2015

Ravel, Le Tombeau de Couperin (Arr Mason Jones for wind quintet)

Falla, Siete canciones populares españolas

Falla, El corregidor y la molinera

Falla, El amor brujo: Suite

Traditional, Flamenco guitar music

Nash Ensemble

Bernarda Fink, Mezzo-soprano

Juan Martín, Flamenco guitar

Juanjo Mena, Conductor

The Nash Ensemble celebrates Amelia Freedman at Wigmore Hall

Roy Westbrook, 2nd February

This Memorial Concert, given by the Nash Ensemble at Wigmore Hall, unites both the group and the venue closely associated with Amelia Freedman’s distinguished career as an arts administrator.

****1

Nash Inventions: a sonic feast for six decades

Christopher Woodley, 18th March

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

****1

Late night lunaire: Schoenberg's Pierrot with Claire Booth

Roy Westbrook, 21st June

A midsummer night but no moonshine for this madness in the Britten Studio.

****1

Nash Ensemble’s Inventions evoke vivid landscapes and sombre memories

Christopher Woodley, 26th March

Fine performances from Claire Booth and Nash Ensemble conjure up the dramatic landscapes of Andalusia, the Hebrides and the wilds of southern Wisconsin, as portrayed by Harrison Birtwistle and Simon Holt.

****1

A double act: Roderick Williams delivers Mahler two ways

Alexander Hall, 19th November

Robert and Clara were not the only two-composer family. So were Alma and Gustav. The Nash Ensemble's latest programme highlights Beethoven and the Romantics.

***11

Defiantly alive Dvořák and joyful Schubert from the Nash Ensemble

Nick Boston, 8th February

The Nash Ensemble performs Dvořák's Piano Quartet no. 2 at Wigmore Hall, followed by a joyful rendition of Schubert's Trout Quintet.

****1

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Katia de Miguel

Katia studied Music Teaching, Musicology and piano in Madrid, where she also worked as a cataloguer for different specialized libraries such as the Royal Palace Library and National Library of Spain. She worked for Audioclásica magazine as a proofreader and writing some articles and reviews, she also wrote program notes for concerts at Auditorio Nacional. Katia is our Spanish editor and when she is not working she volunteers at Handel House Museum and attend as many concerts as she can afford. As well as music, she loves walking and running.

Pasión española en el Wigmore Hall a cargo del Nash Ensemble